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De Anza College Power of Art to Affect Personal and Political Change Film Essay

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De Anza College Power of Art to Affect Personal and Political Change Film Essay

Question Description

I need a film analysis paper, I added the request to the attachment. There are several topics to choose from the attachment?

  • Analyze the themes of Jane Campion’s The Piano (1993, Australia). Consider the character arc

    • of Ada (Holly Hunter), positioned as an outsider, as she undergoes a physical and psychological

    journey to free herself from patriarchal forces. The setting (place and historical period),

    antagonists, metaphorical implications of Ada finding her voice and the gaze of the camera

    should be addressed.

  • Address how the theoretical framework of Dogme95—the self-imposed limitations—“frees”

    • Thomas Vinterberg as a director and affects The Celebration (1998, Denmark). Also refer to

    Jørgen Leth and Lars von Trier’s The Five Obstructions (2003, Denmark) in terms of limits

    fostering creativity.

  • Analyze the stylistic innovations of the first Dogme95 film, Vinterberg’s The Celebration (1998,

    • Denmark), and Cuarón’s Y tu mamá también (2001, Mexico). Consider how the Dogme rules

    impact the former, and cinematic techniques such as the dual narrative and straying camera

    affect the latter.

  • Analyze the political ideology expressed in Alfonso Cuarón’s Y tu mamá también (2001, Mexico)

    • and Zhang Yimou’s government-supported Hero (2002, China). How do both films reflect a

    transitional time in each country’s changing political landscape: Mexico’s changeover in 2000 to

    the leadership of a different party after 71 years of Institutional Revolutionary Party (PRI) rule and

    Hong Kong’s return to Chinese sovereignty in 1997?

  • Jane Campion’s The Piano, Zhang Yimou’s Hero and Joe Talbot’s The Last Black Man in San

    • Francisco comment on the power of art to affect personal and political change. What do they

    convey about music, calligraphy and playwriting, respectively?

  • In what ways does Joe Talbot’s The Last Black Man in San Francisco (2019, USA) represent the

    • independent film movement? What themes emerge that reflect conditions and issues in the San

    Francisco Bay Area?

  • Informed by the WEEK 11 Module readings and your own

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